Tag Archives: abstract painting

week 2 FYJ class

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i am having a good time with the find your joy course. we are only in week 2 but i have managed to keep up with assignments and weekly calls and journal entries so far. (we are encouraged to keep a studio journal about what we are learning in this class and are given weekly journal prompts about our coursework.) i am trying very hard to not get ahead of myself, not overthink where this class is leading me, and just trying to be open-hearted and -minded about everything louise is teaching.

(even though we’re only in week 2 i feel it’s a major accomplishment to be keeping up, as last week i was overnight dogsitting and my cat got diagnosed with throat cancer and i’m volunteering for a political campaign delivering yard signs which has gotten quite busy as the election is very soon, in addition to just my normal daily work schedule, so i’ve had a lot going on. so yes, i am patting myself on the back a bit for keeping up and showing up and doing the work.)

last week – the first week – our assignment was to paint to music. pick a song or piece of music and just paint to it, only in the time it takes to play it once. and then to go back and do a second piece where you spend more time with the same song, as much time as you want/need. and to notice the difference between the two pieces you made and how you felt making them. i chose lucinda williams’ “joy,” and an earthy color palette that felt like it fit her and the song. below are my two pieces – the 4 minute version on the left, the longer one on the right.

i learned that i was more pleased with my output with the first piece that i only spent 4 minutes on. it was more spontaneous, more free, had more energy, felt more real. the second piece ended up with more structure, as i couldn’t ignore those impulses when given more time. i didn’t hate the second piece but it didn’t feel as alive as the first to me. (we aren’t supposed to be attached to outcomes or trying to create specific compositions or results, but it’s hard not to have a feeling about it after it’s done.)

this week, our assignment is similar to one we did in the free taster course which preceded the paid course. it’s all about mark-making, experimenting with various media and tools to make as many different kinds of marks on a page as we can. aside from various sizes of paint brushes, scrapers, palette knives and color shapers, i also played with a silicone basting brush from the kitchen, a glass window squeegee, a square notch tool (usually used with grout), a plastic comb, and a cardboard toilet paper roll to make interesting marks (among other things), as well as added regular pencil, colored pencil, oil pastels, and various sized acrylic markers to the acrylic paint as media. there was no time limit on this, just an open-ended exploratory playtime to learn what kinds of marks we enjoy making.

it’s amazing how much better it looks when you take the tape off! if you zoom in on each one separately as it’s own piece, some of them are kinda cool. i like seeing all the layers and marks but it all feels way too busy to me. but again, trying not to be attached to outcomes. i think i did the assignment as it was meant to be done and i learned i like to make marks with all kinds of things!

the second part of the assignment was to choose the marks and methods we liked the most and use those to do a second piece. (and by “piece,” we are using 30×22” sheets of heavy duty watercolor paper with gesso on them, taped off into 6 squares.) i considered just continuing on top of the first assignment sheet but then decided to start fresh on a new one.

i retained mostly the same color palette – we were to use black, white, and one red (i chose alizarin crimson), one blue (cobalt blue) and one yellow (i switched from lemon yellow that i used on the first one to naples yellow this time, which altered all the colors i mixed and i think made for a more subdued look). i feel like the 2nd piece looks a lot like the first even though i used far fewer tools to make marks. but still i used a lot. and i treated each of the squares as their own piece, instead of thinking of the whole piece of paper as one piece, as some folks did.

regardless i think i learned that i enjoy using weird tools to make marks and i should be incorporating them more into what i do. i particularly enjoy using small swaths of pattern stencils as well as well as the small square notch tool, for scraping lines into wet paint.

you can follow along with what i’m doing each week on my instagram, as i’m more likely to keep updating regularly there than i am here. but i like writing here about it too as you never know what could happen with instagram.

i’m looking forward to having a weekend with no work on my schedule, which doesn’t happen very often. i had some sits scheduled but they all ended up canceling. i scheduled my covid/flu vaxes for late this afternoon though so i might be spending the day tomorrow in bed, as the covid boosters usually wipe me out the next day. but i guess we’ll see. i’m happy to not have any responsibilities other than taking care of myself and my poor sick cat.

here’s to finding my joy!

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i just posted about this on my art instagram page but figured it was worth blogging about as well. i’ve been working this past week on a free taster course (yes, yet another one) this time from artist louise fletcher, who is this lovely british woman and brilliant painter who is about my age and only recently in the past several years became an art teacher and successful artist and now teaches this yearly online art course about (re)discovering your joy in painting (or whatever medium you create with). i have thrown financial caution to the wind and signed up for the full course.

if you’ve been following my art insta or reading this blog then you know i’ve been listening to louise’s podcast art juice (which she does with artist alice sheridan) for quite a while now and i joined louise’s monthly art subscription group called your art tribe about six months ago. louise offers so much free content on you tube and via art tribe there are monthly masterclasses on various topics and techniques, art challenges, studio tours from members of the group, and there is a very lively facebook group specifically for members. it’s been well worth the monthly subscription charge and being an art tribe member got me a good discount on the 12 week find your joy course, which made it easier to take the plunge.

my biggest issue with my art is that i’m too much in my head about it and i psyche myself out a lot, i think. i can’t get out of my own way. which, frankly, has often been my problem in life in general. and a lot of what louise’s course is about is mindset and just remembering what it was like as a child to play with abandon with paint, to learn how to keep that free-ness and suspend self-judgement and not allow that negative voice in your head to limit you. and that is exactly what i need.

as many of you know, i’ve been a maker and creator of various kinds of art and craft and design for most of my adult life, having finally in college come to the epiphany that i didn’t need to be innately gifted with artistic talent (by societal standards) to be an artist. i will forever be grateful to my art professor marilyn murphy for that and for setting me on what would be my lifelong journey as an artist.

i’ve had varying levels of success with different things i’ve done. i’ve sold a LOT of work over my lifetime and have had a lot of people support me, for which i am so grateful. but in the past few years i’ve felt like i came to somewhat of an impass and though i’ve kept painting and making art off and on, trying new techniques and styles, i haven’t been satisfied with any of them and haven’t really felt like i’ve had anything worth saying with my art. hell, most of the time i don’t even finish what i start working on. it’s been an endless process of trying new things, starting pieces but not finishing very many of them or not being completely happy with what i do finish. and frankly, most of the time, not really knowing what it is i’m trying to accomplish or say with my art.

so i have decided it’s time for some help. i’ve done so many free online classes over the past few years with various instructors and while i’ve learned a lot in fits and spurts, i need a deep dive. when i did the paid spark course from art2life last year, i thought that’s what i’d be doing but it wasn’t deep enough for me apparently and i couldn’t afford the more expensive CVP class that went deeper following spark. so i’ve been puttering along. when louise’s free taster course came up, i knew i needed to do it to see whether i thought her longer course would do me any good. i didn’t go into it thinking i would take the longer class. but, after just the first exercise, i was ready to sign up! no hemming and hawing this time, no worrying about how i will pay for it (i mean, i am worried but i didn’t let it stop me). i just signed up and i’ll figure out how to pay for it in due time.

i’m still trying to complete the exercises from the 8 day free class as i was dog sitting last week and wasn’t able to spend time in the studio as i normally do. but i should have time in the next few days to finish that up and get to the pre-work for the paid class, which officially starts on the 18th. so stay tuned as i’m sure i will keep posting about it either here or on my art insta as the 12 weeks progress.

and as i mentioned in the insta post, if you feel moved to support me on this journey, there’s a ko-fi button on this page or feel free to just use venmo or paypal. i’ve already taken the financial plunge so it’s not dependent on people supporting me but i know i have folks in my life who like to support my creative journey so if that’s you, i will humbly accept any financial support anyone wants to offer.

here’s to doing scary things! whew!

follow up…

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just a quick follow up to my last post to present my final piece from the 5 days to jawdropping art program that i mentioned. it took me two weeks because my work schedule had me out of sorts (and out of the studio), but i finished it! and even framed it, which i never do. (it’s hard enough for me to even feel like a piece is finished; i never get to the point of thinking about framing.)

quick explanation: the first day prompt was to journal all our fears about our art/art making and then make a physical embodiment of that. so the piece i made to start out with was much bigger than this, on bristol board (paper), and basically used up all the leftover paint on my palette from the last thing i was working on. i scribbled a lot with pencil and oil pastels but it was basically just a big jumbled angsty mess that was pretty garish. and i wrote out a lot of my fears, the negative crap i tell myself about my art and process, onto it. the next few days prompts asked us to use various kinds of alchemy to transform our piece – i won’t go into all the details but for me, i ended up tearing my piece up and removing all the bits that had all my fears and negative talk on them, and then reassembled the piece without those into a smaller piece. in order to do this i had to affix it to cardboard. i had masked off the edges originally so that helped me when reassembling. i then outlined in white all the places where the pieces came together, so you could see how it had been put back together. each day we were to do something else to keep transforming it; none of my subsequent days were as dramatic as tearing it up and reassembling it, but i did make changes each day and finally ended up with this, which i am happy with and will make me remember a lot of the internal work that i did through the week. i even miraculously found a frame in my house that was the exact perfect size for the final piece, so now it will hang in my studio to remind me of this experience.

though i am clearly someone who is receptive to these art class sales pitches, in the end i have decided not to join jessica serran’s keep your ass in the studio program, the 4 month deep dive. i thought long and hard about it and even crunched numbers in my budget, trying to figure out ways to afford it. i could have thrown it on a credit card and hoped like hell i could figure out a way to make back the money, that the course would result in me getting back in gear and being prolific making finished pieces i could sell for higher prices than i usually do. (i do know my pricing is ridiculously low and i intend to change that going forward.)

i think when i finally got a peak inside her program, which she offered today on a live zoom call as it’s the last day to register, i had the realization that while i liked the 5 day challenge and all the internal work and journaling and i do think it was productive for me, i don’t know that i can maintain my interest in that level of introspection for 4 months. and if it took me 2 weeks to do 5 days of prompts because of my work schedule, knowing what my next few months look like and that work always ramps up during the holidays in november and december… i just know i can’t commit and i don’t want to commit to something that is ultimately just going to add to my stress level and make me feel bad because i don’t have the time to devote to it. i don’t doubt i could get something out of it but it is not the right timing and maybe even not the right program for me.

there’s another free teaser course coming up at the beginning of september that i want to do though i have no intention of going on to pay for the longer course that follows it, for many of the same reasons i mentioned above. but it’s a chance to try out another artist’s style and have an excuse to be in the studio more. i’ll be dogsitting that week so it might end up being on a one-week delay for me, but most of these things give you a little bit of time afterwards with the materials to finish if you weren’t able to keep up, so i will be hopeful.

i am also setting the intention that in between dog sits and busy periods with my job, i will do more painting and i will finish some things and have stuff to sell this year during the holidays. i’ve let the holiday selling season slip by too many years in a row and i intend to partake this year, even if it’s just a handful of small paintings or another studio clear-out of old work, or both. maybe this is the year i finally plunk down the money on a really good printer so i can make nice prints of my work to sell. a lot of artists make a good income selling modestly priced prints, which also serves to make the originals more unique and valuable. i need to do the research on that but that might be a better use of my money-that-i-don’t-have than paying for an art course.

i guess we’ll see. hopefully i can maintain and build upon this bit of momentum i’ve had and keep going. that is my intention. i’ll keep you updated!