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making art my business

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hi everyone. now that mardi gras has come and gone, it’s time to get back to the business of making art, and working on the actual business of my art.

to that end, i just finished a free online class from jessica serran who is an artist and coach who does various online courses throughout the year. i took another of her free offerings last summer called “5 days to jaw dropping art” and i felt it was pretty helpful and i made a piece of art that i still love. so when this one popped up in my feeds, i decided to sign up. i can use all the help i can get! and, well, i love free!

this one was called “artists on the rise: a 5-day deep dive to discover what it takes to create your epic art career.” (yes, her class titles are a bit wordy.) the class actually goes for about 3 weeks if you include the pre-class exercises and the post-class sales pitches for the paid course. like most of these online art courses, it centers around a facebook group where everyone who signs up can interact with jessica (the coach), the artist support team (artists who have taken the class already and help manage the facebook group), and each other. each day of the challenge you post your responses there as a sort of accountability, but also cuz there’s a prize giveaway at the end as motivation if you complete everything. sadly, i did not win any of the prizes. lol

but a lot of what jessica teaches is really great, especially if you are someone who has struggled to figure out how to turn your love of art and art making into a business that can support you. not everyone has this goal, and i only half the time think i do, which is probably why i haven’t ever really achieved it. i’ve never fully committed. i came the closest when i was a crafter and in the new orleans craft mafia, in those years post katrina when all that insurance money was flowing and folks were really wanting to support each other and rep new orleans as it rebuilt. i had become burnt out on my music journalism and DJ career even before katrina, so focusing on making things was both fun and therapeutic in that high-stress time. though i made a good deal of money during that time selling my wares, most of it was eaten up by “commuting” back and forth between louisville, ky and new orleans for three years, and a few years after i moved back home to new orleans, my personal life fell apart and i had to kind of abandon my creative stuff in favor of trying to build my pet business into something that could sustain me. (my ex-partner had been supporting me; i had no “real” job at the time.) the pet biz obviously worked out, for which i’m grateful; but now all these years later as time keeps on a ticking and i grow older, i feel like i’m running out of time to find out if i really could be an artist full time. (i’m also feeling very burnt out on the pet biz and my body is less able to keep up with the physical rigors of the job, which i fear will only get worse as i age.)

sometimes i feel so certain that it’s the dream i’ve had all my life, since college, when i first fell in love with painting and printmaking and photography. and sometimes i honestly feel like i would be happier if i didn’t have this urge, this compulsion, to create things and try to express myself AND SELL THESE THINGS. that maybe i should just keep my art to myself, for my personal self growth, and not complicate things by trying to sell stuff. i mean that’s kind of what i did for the past decade or so anyways; when i started the pet biz, i went several years without creating a damned thing, just working all the time and building my pet biz up and enjoying having a steady income. and then slowly over time, the urge to create kept nagging at me, so i started to make stuff again. and then cuz i can’t stop myself, i started posting online about what i was making. and people were encouraging and said they liked it and offered money, and boom, suddenly i’m back in the game of making stuff and selling it. but it’s been sporadic, and as a business, my art biz hasn’t made a profit in a really long time.

so for the past few years as i’ve ramped up my art practice again to be something more consistent, i’ve felt like i wanted to try to make the art biz turn a profit. and then i get caught up again in the dream of it being my life, my sole job, which is appealing since i’m so so burnt out on the pet biz now at the 14 year mark. but trying to make a living doing nothing but art is not easy. many people fail at it. and many successful artists still have their day jobs to pay the bills. cuz being “successful” as an artist doesn’t always translate to consistent sales.

all of this led me to be interested in jessica’s free class. on the first of the five days, she challenges you to come up with what your throughline is with your art – regardless of medium or discipline or subject. why do you do this and what is it that comes through in everything you make? figuring out what that is can then help you when writing an artist bio/statement and so the challenge is basically to do that, write a future-you artist statement. this exercise was really hard for me and i still feel like i need to go back and really figure that one out.

the second day was all about money, examining our relationship with money in our past and what we want it to be in our future. the exercise was to set some future-you money goals and then reverse-engineer how to do it, i.e. i wanna make x amount of money a year selling my art, so how many pieces of art do i need to sell at x amount to achieve that? and she pushes us to realize selling fewer larger pieces is easier than selling a ton of smaller pieces or prints, and that we are most likely undercharging for what we make. that we need to let go of the starving artist mentality and replace it with the well-resourced artist, making good money for our creations. that one just felt like fantasizing, frankly – i still see no real way for that to happen anytime soon. like maybe after 10 years of being super successful, but not now. because my friends and supporters are used to my prices being accessible/low, and i feel that bumping them up a lot would alienate a lot of the folks who’ve been with me for a long time on this journey. but i do also see that i can’t make a business plan out of selling $50 original paintings. so i’m going to try to be better about charging rates for my original work that are more fair to me, while not being outrageous either.

the third day was a challenge to reach out to previous buyers of our work and ask them why they bought it, what do they like about it, what does it do for them? i reached out to a few people; one replied. another friend volunteered when they saw my post on IG. we were supposed to have three but i never got any more responses so i just had the two. but they were both great. and honestly, i already know the answer to those questions for most people who buy my work, because they tell me all the time. my work brings them joy, makes them smile/happy, and the works that have words/messages on them serve as reminders to themselves or affirmations. no one said this but i’d venture to say some things i’ve created also help give buyers a sense of community or self-expression. these are all wonderful things to know that my work does for people – it’s really all i’ve ever hoped to do with what i make. make a connection, spread some joy and happiness or offer a message or an affirmation, channeling the light of the universe. it’s simple and kinda hokey but it’s true. (these things are basically my throughline in all the work i’ve done since my 20s.) but the point of this exercise is that these things that my art does for others, it’s worth something, has a value, that i should be charging for accordingly.

the fourth day we took an inventory of all the unsold artwork in our studios, gave them new prices (the higher, you-are-worth-it numbers), and totaled it up. mine came to about $8K which was low compared to most in the class but i didn’t get through all the paper pieces i made in the FYJ class and in the past year or two. (and i probably didn’t adjust the prices high enough.) and then the second part of the challenge is to list 33 ways you can start selling all that work TODAY. things that would take less than 10 minutes to do. i thought it would be hard to come up with 33 but once i got going it was pretty easy, as most of it was listing things in various places online. but the first was listing it all on etsy and then the others would be listing the etsy shop in a million places. there were other things, like starting a mailing list and posting online to get signups, which you may have seen me do last week. (there’s also a signup form on this page to the right.) now nothing guarantees if i list everything for sale that it will sell, but the concept is that action/movement invites the universe to support you, and you certainly aren’t going to sell any of it as it just sits in your studio gathering dust. so i am going to spend the listing fees to list as much as i can in the coming weeks as i have time. listing fees are for 4 months on etsy and i figure that should be enough time to see if it’s worth giving etsy another shot. (i do eventually want to have an ecommerce store on my own website but that will take much longer to figure out; etsy was the easy and fast option.)

on the last day of the 5 day class, the “inspired action” we were to take was to do 3 things from the list we came up with the day before, and then to note how it felt and what, if any, response there was. for me, i did make a signup form/link to my future art newsletter and posted it out to facebook, instagram and twitter… and the response was that a few people signed up. (now a week later, about 20 of my actual friends signed up but a bunch of random strangers and possibly bots did too so now i have more than 100 on my email list, which was my goal to have before i write an actual newsletter. i want to get a few things listed on etsy before i write the newsletter though, so that’s the homework for this weekend.) so that action felt good to do and great to get a response to.

the second action i wanted to take was to list 3 things on etsy, which i have started to do but since i have neglected my etsy shop for so long i realized it is outdated, so requires me going in and overhauling my profile and settings. also etsy is a lot more glitchy than it used to be so it’s certainly taken me more time than 10 minutes to get even one thing listed. but i will keep at it this weekend.

and the third thing was to check in with a few folks who’d expressed interest in some paintings i’d posted on instagram a while back, which i haven’t yet done but i will do so this weekend.

all of these are/were good exercises to do, and i will keep going over them as i move on. i took notes throughout the class on my ipad so i printed them out and pasted them into my studio journal so i’d have an easy reference to look back at.

i actually thought long and hard about whether to try to find a way to pay for jessica’s coaching program. the total amount ($11k for 12 months) is overwhelming and even the monthly payments of $1k/month felt ridiculous for me, as that’s more than i pay in rent each month. and as i am right now, i barely make ends meet paying my bills. i could charge one or two months on credit cards in hopes that working her program and buckling down could net me the money to cover it, but once i got a look at what her workbooks look like, the pace of work contained in the course month by month, i just realized i’m not ready to commit to something like that, especially considering my day job and all that i already have planned for the next several months. and i’m just not there yet with my current art work, like i am still just in the playing-with-paint phase of all this abstract stuff and i like being here, i don’t want to be rushed because i have to figure out how to sell it.

i’m sure what she does is great for people who are ready for it, who want a coach and a step-by-step program to advance their careers. it’s like a bootcamp for artists. or i guess in entrepreneurial terms, it’s an accelerator program. but i’m just not there yet and i have to trust my instincts. i’m not sure i’ll ever get to a place of wanting a program like that, but i’ll stay on her mailing list and keep it on the back burner and see where i am in a year. i’m grateful for the kick in the ass that the free 5 day challenge gave me and feel like that will keep me busy for a while as i continue to paint.

how’d it get to be november already?

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sigh. the last time i wrote here it was the end of september, i was in the 2nd week of the find your joy course and loving it, and i was looking forward to my vacation to new mexico mid october.

well it’s a month and a half later now. the find your joy class is finishing up week 8 (of 12) though i’ve only just today managed to finish week 5. (week 7 was an integration week for folks to catch up so i’m 2 lessons behind at this point.) and i took my vacation, which was glorious and if you follow me on my personal instagram or my personal facebook, you’ve seen all my photos… i had so much fun with my dear friend dix and was gobsmacked by the beauty of the region.

but… i returned already fighting off some kinda crud (allergies? altitude? airplanes and airports?) and then had a very intense week of work and an ill-advised if fun weekend of social activity which sped up my illness and landed me really REALLY sick for the past two weeks with severe bronchitis. like sicker than i can remember being as an adult outside of hospital stays. two urgent care visits and two courses of antibiotics later (well i’m still in the middle of the second course), and i am starting to feel better. but i worked sicker than i should have for several days – it was miserable. i am grateful to feel like i’m coming out the other side now but also overwhelmed by how much money it cost me to be sick (urgent care visits, prescriptions, over the counter drugs, ordering out cuz i was too sick to cook, canceled walks, turned down petsits, and several weeks of missed time in the studio) and how far behind i feel.

thankfully i don’t have any work this weekend so i trying to get caught up while also resting. i finally did some vacuuming today and i hope to do laundry tomorrow. i did lesson 5 in FYJ today and posted my results on my art IG and played around with some other stuff in the studio, generally relaxing and not exerting myself too much. tomorrow i hope to tackle lesson 6 and maybe do the dishes. baby steps.

so i don’t have a lot to share here about art cuz i haven’t done a lot in the past month and a half. however… i am considering joining in on a midcity art studio stroll that’s being planned for saturday december 9th from 12-6pm, so i guess that’s what i can talk about. i haven’t done any art markets or pop-ups in years and years and i actually think the last time i did one was also at my house during the holidays. the last time i did it, i was still living just in the back of the house, so i really had no choice but to do it in the backyard; i had folks come down the alley along the side of the house to enter. if i end up doing it this time, i do have a front porch now and a living room and office that i could use to display stuff, but it would require me to really clean up before then to allow folks into my house. so i might just do it like last time, around back, since the studio opens up to the backyard. we’ll see. i have some pet work scheduled that day so i have to figure out if i really think i can do both.

if i do decide to do it, i will have a mix of old leftovers from the crafty and t-shirt printing days plus newer paintings from the past few years of dabbling in abstract work.

i’ll keep you posted if i do end up doing it.

that’s all i got. til next time! and happy thanksgiving!

week 2 FYJ class

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i am having a good time with the find your joy course. we are only in week 2 but i have managed to keep up with assignments and weekly calls and journal entries so far. (we are encouraged to keep a studio journal about what we are learning in this class and are given weekly journal prompts about our coursework.) i am trying very hard to not get ahead of myself, not overthink where this class is leading me, and just trying to be open-hearted and -minded about everything louise is teaching.

(even though we’re only in week 2 i feel it’s a major accomplishment to be keeping up, as last week i was overnight dogsitting and my cat got diagnosed with throat cancer and i’m volunteering for a political campaign delivering yard signs which has gotten quite busy as the election is very soon, in addition to just my normal daily work schedule, so i’ve had a lot going on. so yes, i am patting myself on the back a bit for keeping up and showing up and doing the work.)

last week – the first week – our assignment was to paint to music. pick a song or piece of music and just paint to it, only in the time it takes to play it once. and then to go back and do a second piece where you spend more time with the same song, as much time as you want/need. and to notice the difference between the two pieces you made and how you felt making them. i chose lucinda williams’ “joy,” and an earthy color palette that felt like it fit her and the song. below are my two pieces – the 4 minute version on the left, the longer one on the right.

i learned that i was more pleased with my output with the first piece that i only spent 4 minutes on. it was more spontaneous, more free, had more energy, felt more real. the second piece ended up with more structure, as i couldn’t ignore those impulses when given more time. i didn’t hate the second piece but it didn’t feel as alive as the first to me. (we aren’t supposed to be attached to outcomes or trying to create specific compositions or results, but it’s hard not to have a feeling about it after it’s done.)

this week, our assignment is similar to one we did in the free taster course which preceded the paid course. it’s all about mark-making, experimenting with various media and tools to make as many different kinds of marks on a page as we can. aside from various sizes of paint brushes, scrapers, palette knives and color shapers, i also played with a silicone basting brush from the kitchen, a glass window squeegee, a square notch tool (usually used with grout), a plastic comb, and a cardboard toilet paper roll to make interesting marks (among other things), as well as added regular pencil, colored pencil, oil pastels, and various sized acrylic markers to the acrylic paint as media. there was no time limit on this, just an open-ended exploratory playtime to learn what kinds of marks we enjoy making.

it’s amazing how much better it looks when you take the tape off! if you zoom in on each one separately as it’s own piece, some of them are kinda cool. i like seeing all the layers and marks but it all feels way too busy to me. but again, trying not to be attached to outcomes. i think i did the assignment as it was meant to be done and i learned i like to make marks with all kinds of things!

the second part of the assignment was to choose the marks and methods we liked the most and use those to do a second piece. (and by “piece,” we are using 30×22” sheets of heavy duty watercolor paper with gesso on them, taped off into 6 squares.) i considered just continuing on top of the first assignment sheet but then decided to start fresh on a new one.

i retained mostly the same color palette – we were to use black, white, and one red (i chose alizarin crimson), one blue (cobalt blue) and one yellow (i switched from lemon yellow that i used on the first one to naples yellow this time, which altered all the colors i mixed and i think made for a more subdued look). i feel like the 2nd piece looks a lot like the first even though i used far fewer tools to make marks. but still i used a lot. and i treated each of the squares as their own piece, instead of thinking of the whole piece of paper as one piece, as some folks did.

regardless i think i learned that i enjoy using weird tools to make marks and i should be incorporating them more into what i do. i particularly enjoy using small swaths of pattern stencils as well as well as the small square notch tool, for scraping lines into wet paint.

you can follow along with what i’m doing each week on my instagram, as i’m more likely to keep updating regularly there than i am here. but i like writing here about it too as you never know what could happen with instagram.

i’m looking forward to having a weekend with no work on my schedule, which doesn’t happen very often. i had some sits scheduled but they all ended up canceling. i scheduled my covid/flu vaxes for late this afternoon though so i might be spending the day tomorrow in bed, as the covid boosters usually wipe me out the next day. but i guess we’ll see. i’m happy to not have any responsibilities other than taking care of myself and my poor sick cat.

here’s to finding my joy!

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i just posted about this on my art instagram page but figured it was worth blogging about as well. i’ve been working this past week on a free taster course (yes, yet another one) this time from artist louise fletcher, who is this lovely british woman and brilliant painter who is about my age and only recently in the past several years became an art teacher and successful artist and now teaches this yearly online art course about (re)discovering your joy in painting (or whatever medium you create with). i have thrown financial caution to the wind and signed up for the full course.

if you’ve been following my art insta or reading this blog then you know i’ve been listening to louise’s podcast art juice (which she does with artist alice sheridan) for quite a while now and i joined louise’s monthly art subscription group called your art tribe about six months ago. louise offers so much free content on you tube and via art tribe there are monthly masterclasses on various topics and techniques, art challenges, studio tours from members of the group, and there is a very lively facebook group specifically for members. it’s been well worth the monthly subscription charge and being an art tribe member got me a good discount on the 12 week find your joy course, which made it easier to take the plunge.

my biggest issue with my art is that i’m too much in my head about it and i psyche myself out a lot, i think. i can’t get out of my own way. which, frankly, has often been my problem in life in general. and a lot of what louise’s course is about is mindset and just remembering what it was like as a child to play with abandon with paint, to learn how to keep that free-ness and suspend self-judgement and not allow that negative voice in your head to limit you. and that is exactly what i need.

as many of you know, i’ve been a maker and creator of various kinds of art and craft and design for most of my adult life, having finally in college come to the epiphany that i didn’t need to be innately gifted with artistic talent (by societal standards) to be an artist. i will forever be grateful to my art professor marilyn murphy for that and for setting me on what would be my lifelong journey as an artist.

i’ve had varying levels of success with different things i’ve done. i’ve sold a LOT of work over my lifetime and have had a lot of people support me, for which i am so grateful. but in the past few years i’ve felt like i came to somewhat of an impass and though i’ve kept painting and making art off and on, trying new techniques and styles, i haven’t been satisfied with any of them and haven’t really felt like i’ve had anything worth saying with my art. hell, most of the time i don’t even finish what i start working on. it’s been an endless process of trying new things, starting pieces but not finishing very many of them or not being completely happy with what i do finish. and frankly, most of the time, not really knowing what it is i’m trying to accomplish or say with my art.

so i have decided it’s time for some help. i’ve done so many free online classes over the past few years with various instructors and while i’ve learned a lot in fits and spurts, i need a deep dive. when i did the paid spark course from art2life last year, i thought that’s what i’d be doing but it wasn’t deep enough for me apparently and i couldn’t afford the more expensive CVP class that went deeper following spark. so i’ve been puttering along. when louise’s free taster course came up, i knew i needed to do it to see whether i thought her longer course would do me any good. i didn’t go into it thinking i would take the longer class. but, after just the first exercise, i was ready to sign up! no hemming and hawing this time, no worrying about how i will pay for it (i mean, i am worried but i didn’t let it stop me). i just signed up and i’ll figure out how to pay for it in due time.

i’m still trying to complete the exercises from the 8 day free class as i was dog sitting last week and wasn’t able to spend time in the studio as i normally do. but i should have time in the next few days to finish that up and get to the pre-work for the paid class, which officially starts on the 18th. so stay tuned as i’m sure i will keep posting about it either here or on my art insta as the 12 weeks progress.

and as i mentioned in the insta post, if you feel moved to support me on this journey, there’s a ko-fi button on this page or feel free to just use venmo or paypal. i’ve already taken the financial plunge so it’s not dependent on people supporting me but i know i have folks in my life who like to support my creative journey so if that’s you, i will humbly accept any financial support anyone wants to offer.

here’s to doing scary things! whew!

follow up…

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just a quick follow up to my last post to present my final piece from the 5 days to jawdropping art program that i mentioned. it took me two weeks because my work schedule had me out of sorts (and out of the studio), but i finished it! and even framed it, which i never do. (it’s hard enough for me to even feel like a piece is finished; i never get to the point of thinking about framing.)

quick explanation: the first day prompt was to journal all our fears about our art/art making and then make a physical embodiment of that. so the piece i made to start out with was much bigger than this, on bristol board (paper), and basically used up all the leftover paint on my palette from the last thing i was working on. i scribbled a lot with pencil and oil pastels but it was basically just a big jumbled angsty mess that was pretty garish. and i wrote out a lot of my fears, the negative crap i tell myself about my art and process, onto it. the next few days prompts asked us to use various kinds of alchemy to transform our piece – i won’t go into all the details but for me, i ended up tearing my piece up and removing all the bits that had all my fears and negative talk on them, and then reassembled the piece without those into a smaller piece. in order to do this i had to affix it to cardboard. i had masked off the edges originally so that helped me when reassembling. i then outlined in white all the places where the pieces came together, so you could see how it had been put back together. each day we were to do something else to keep transforming it; none of my subsequent days were as dramatic as tearing it up and reassembling it, but i did make changes each day and finally ended up with this, which i am happy with and will make me remember a lot of the internal work that i did through the week. i even miraculously found a frame in my house that was the exact perfect size for the final piece, so now it will hang in my studio to remind me of this experience.

though i am clearly someone who is receptive to these art class sales pitches, in the end i have decided not to join jessica serran’s keep your ass in the studio program, the 4 month deep dive. i thought long and hard about it and even crunched numbers in my budget, trying to figure out ways to afford it. i could have thrown it on a credit card and hoped like hell i could figure out a way to make back the money, that the course would result in me getting back in gear and being prolific making finished pieces i could sell for higher prices than i usually do. (i do know my pricing is ridiculously low and i intend to change that going forward.)

i think when i finally got a peak inside her program, which she offered today on a live zoom call as it’s the last day to register, i had the realization that while i liked the 5 day challenge and all the internal work and journaling and i do think it was productive for me, i don’t know that i can maintain my interest in that level of introspection for 4 months. and if it took me 2 weeks to do 5 days of prompts because of my work schedule, knowing what my next few months look like and that work always ramps up during the holidays in november and december… i just know i can’t commit and i don’t want to commit to something that is ultimately just going to add to my stress level and make me feel bad because i don’t have the time to devote to it. i don’t doubt i could get something out of it but it is not the right timing and maybe even not the right program for me.

there’s another free teaser course coming up at the beginning of september that i want to do though i have no intention of going on to pay for the longer course that follows it, for many of the same reasons i mentioned above. but it’s a chance to try out another artist’s style and have an excuse to be in the studio more. i’ll be dogsitting that week so it might end up being on a one-week delay for me, but most of these things give you a little bit of time afterwards with the materials to finish if you weren’t able to keep up, so i will be hopeful.

i am also setting the intention that in between dog sits and busy periods with my job, i will do more painting and i will finish some things and have stuff to sell this year during the holidays. i’ve let the holiday selling season slip by too many years in a row and i intend to partake this year, even if it’s just a handful of small paintings or another studio clear-out of old work, or both. maybe this is the year i finally plunk down the money on a really good printer so i can make nice prints of my work to sell. a lot of artists make a good income selling modestly priced prints, which also serves to make the originals more unique and valuable. i need to do the research on that but that might be a better use of my money-that-i-don’t-have than paying for an art course.

i guess we’ll see. hopefully i can maintain and build upon this bit of momentum i’ve had and keep going. that is my intention. i’ll keep you updated!

my week in art

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i haven’t had much to report artwise for a while, but this past week had some activity that i want to share.

this week i did two things i want to celebrate myself for: the first was that i entered a few pieces into the art2life international online juried art exhibition. yes, at the very last minute, literally, but i did it. an online art show might not sound like a big deal but actually following through and entering anything in any show is a big deal for me. i’ve had several shows this year i’ve wanted to submit to that have come and gone, mostly cuz i didn’t feel like i had anything that was “finished” that i felt good enough about. well this time i just said fuck it and i entered some pieces anyways. i’ve been part of the art2life world for more than a year now and i just missed out on entering it last year so i figured, why not? it was $40 to enter up to 3 pieces; sadly i couldn’t settle on a third and get it photographed in time so i only sent in 2. (serves me right for waiting til the last minute.) but dammit i did it. (pat on my own back.) i certainly don’t expect to win anything (there are cash prizes and it is juried by a gallerist from NYC) but who knows what might come from it. maybe nothing but it was a baby step and i took it. so yay.

these are the two pieces i chose to enter. i’ve posted both on my instagram before but haven’t put either up for sale. at the time i made them, i wasn’t really sure i liked either and wasn’t sure they were done. but they’ve been sitting in my studio for several months now and when i scanned the room for recent work, they just jumped out at me.

untitled blue – acrylic on canvas board (10×10″)
releasing guilt – mixed media on bristol board (14×17″)

the second thing is that i did yet another free taster online course from another online art guru that has a longer expensive class. this one was called 5 days to jaw dropping art. jessica serran who is based in prague is the artist/coach and she takes you through a lot of self-examination of your fears around why you aren’t making the art you know you want to/can. it’s kind of more art therapy than art instruction – there’s a lot of journaling involved – but the prompts were interesting and thought-provoking. i tuned in live all 5 days but have only managed to complete the first 2 days of exercises; thankfully i have more time with the replays and a partially completed piece so i guess we’ll see what happens. but when i signed up for it i wasn’t even sure i had the time to tune in every day cuz this has been a busy work week. so i’m patting myself on the back for watching the lives and trying to engage and wanting to follow through. hopefully i can get through the rest of the week’s exercises this weekend when i have more time.

where my jaw dropping art piece stands now – acrylic on bristol board that’s been torn up and glued back together onto a piece of cardboard (14×18”)

i like taking these free teaser courses because, well, they are free. but also because each artist-teacher has a different approach and conveys some different – and many of the same – nuggets about making art, having an art practice, overcoming your inner critic, developing a style, and creating an art business. i guess i keep hoping that if i hear these things enough they will sink in and i will make some progress. today was the last day of this one and as they all are, the day’s live was mostly focused on selling the paid program. hers is a 4 month deep dive with a step by step plan and regular coaching calls and some bonuses for those who sign up early. it’s around $2k for those 4 months and she has a bunch of payment plans. (i’ll add that none of them are as good as paying the full amount up front using paypal credit which gives you 6 months interest free to pay it off, which is how i did the art2life spark program last fall.)

i also keep hoping that one of these teachers will resonate enough with me to want to really invest the money that i don’t have to try one of these longer programs, to see if it would help me break through whatever my blocks are to build my art business back up. i liked nick wilton (art2life) enough to do the short (and cheaper, around $500) 3 week spark class, and i did feel at the time like it helped and gave me some momentum. i learned a few things but mostly it kept me in the studio every day with exercises that helped loosen me up and get the creative juices flowing. you’ll probably remember i applied for a scholarship to his CVP program, the longer 3 month course that cost around $2400, but i was not selected. and i just couldn’t justify that amount of money at the time when my pet biz was really slow and i was barely making ends meet.

i’m in a little different place right now financially – despite my dogwalking schedule thinning, my petsitting schedule has been in overdrive for the past many months so i’ve banked some savings – but $2k for jessica’s 4 month keep your ass in the studio program still feels hard to commit to – especially when the pet biz is so busy. and until i go back and watch the replays of the last few days’ lives and finish the exercises, i won’t know if i feel like i really resonate with her style. so i guess we’ll see after this weekend. but i’m still really glad i managed to do what i’ve done with the free 5-day class.

ok, so i guess that means it was “good” week in the studio? i dunno. it was definitely better than it has been recently. i’ll take that as a win. hope y’all had a good week and happy weekend!